The FCC is targeting Disney's TV licenses. Former regulators say that's a threat.

Photo: Isaiah Ekele
The Trump administration's FCC is moving to review the broadcast licenses of the eight ABC stations owned by Disney, and the people who used to run that agency are alarmed enough to say so publicly.
A group of former FCC commissioners and staff filed a formal objection Tuesday, calling the early review "an assault on free speech disguised as regulatory process." Among the signatories: Mark Fowler, a Republican who chaired the FCC under Ronald Reagan from 1981 to 1987. When the people who built the modern version of an agency start pushing back on how it's being used, that's worth paying attention to.
What the FCC actually controls
The FCC licenses broadcast stations, meaning it grants the legal permission for a TV station to use the public airwaves. Those licenses come up for routine renewal, but launching a review outside that normal cycle, before renewal is due, is nearly without precedent, according to the former officials. That's the "early review" at issue here: the administration is essentially pulling ABC's operating permissions into question ahead of schedule.
Disney owns eight ABC stations directly. Those stations are not the only way people watch ABC, but they are the backbone of how the network reaches local audiences in major markets. A license challenge that went badly for Disney could, in theory, force the sale of those stations or disrupt how they operate.
The former officials' concern is not really about the technical licensing process. It's about what the process is being used for. ABC News has been in a running conflict with the Trump administration. The early review follows that friction, and critics argue it amounts to using regulatory leverage to punish unfavorable coverage.
Why this matters beyond Disney
Broadcast television still reaches roughly 100 million American households, including many who don't pay for streaming or cable. Local ABC affiliates carry local news, emergency alerts, and network programming. Whatever you think of Disney as a corporation, the stations themselves are pieces of public communication infrastructure.
The deeper concern is about the principle the FCC would be establishing. If the government can trigger a license review of a major broadcaster outside the normal schedule, and if that review correlates with that broadcaster's news coverage, then every television newsroom in the country is operating with a new kind of background pressure. Not a ban, not a direct order, but the knowledge that regulatory trouble is a possibility if the coverage goes the wrong way. That changes editorial incentives in ways that are hard to measure but easy to imagine.
The FCC, as an independent agency, is supposed to be insulated from exactly this kind of political use. The former officials' filing is, in part, a reminder that the agency's credibility rests on the perception that its licensing decisions follow the law, not the news cycle.
Whether the current FCC proceeds with the review, pauses it, or drops it entirely will be a signal about how far that norm has already shifted.









